Sunday 3 August 2014

GLASGOW 2014 + EDINBURGH Festival. 

Where to start?? Glasgow 2014, or Edinburgh Festival? With wonderful weather & lots of Commonwealth Games gold medals, (53 for Scotland) an upbeat mood prevails across central Scotland. Generation - the special 2014 celebration of recent contemporary art from 100 artists, has around 40 of the total 71 events in Glasgow or Edinburgh, so there is no way to see them all. 
From an intense 2 n half days in Edinburgh our top hits are Dalziel + Scullion at The Dovecot, Calum Colvin at Printmakers (he did a great talk), Vicky Crowe at Scottish Gallery & Counterporint at The Talbot Rice.
 vicky crowe
We found the SNGMA Generation much better than expected; Steven Campbell wipes the floor with the others at RSA/SNG. At SNPG John Byrne is wonderful; Ruskin - what a surprise! Jim Lambie's ladders make a change from his routine stripes, (at .fruitmarket)  
At the Scottish National Gallery of Modern Art, each artist has their own room. Glad to see Smith/Stewart's video from 1997 again, its amplified sound adding to the disturbing hooded heads. In the 1990s S/S used their own bodies in many confrontational & memorable videos.
Other familiar names & images: Alison Watt with her folded, white drapery; Ross Sinclair's fake Rocky Mountain + endearing stuffed animals & plastic grass, first seen at 3rd Eye & Fruitmarket in 1996; Julie Robert's meticulous medical restraints, Toby Paterson's architectural images, Victoria Morton's recent paintings, Roddy Buchanan's sectarianism, + leader of the pack, Douglas Gordon's now famous Psycho from 1993.
New to me & interesting: Charles Avery's large scale drawings; Henry Coombes's caustic film; Torsten's clever clock. 

Disappointments. Claire Barclay had a huge room for her sculptural installation using wool, leather and wood but to little effect. All eyes are on Ciara Phillips since her Turner Prize nomination, but her blue room, with its wallpaper of repetitive screenprints + one figure image, does not hold the eye. Graham Fagen's messy room idea was much better conceived & implemented at GMA by Ron O'Donnell back in 1987. Fagan, also in the spotlight as he will represent Scotland at the 2015 Venice Biennale, also shows disappointing wishy washy sculls and teeth at GSA's Reid building  as part of Generation. It is to be hoped his Venice contribution is an improvement.  
The show continues at RSA/SNG on Princes St with Campbell's 1990 complex, bizarre, fictional scenario, the first & only truly immersive installation here, 12 huge paintings surrounded by sepia ink drawings. Guillotines from the French Revolution sit next to classical nudes & surreal chairs & picnics! Nearby Karla Black's polythene looks pathetic.
Dalziel+Scullion have a long standing, very personal commitment to nature & the environment. This time in keeping with the Dovecot's textile history, they use Harris Tweed garments, seen both on film in wild, wind swept Angus & in the gallery set up. Best for me are their beautiful skies & rounded gneiss boulders from the Outer Hebrides, a mere 4 billion years old - which puts many things into perspective! Skies are captured in elegant double sided floating frames. As Louise says, we tend to take our skies & atmosphere too much for granted. A twin show is at Stornoway's An Lanntair. A genuine
Not all the good shows are Generation events. 
COUNTERPOINT at Talbot Rice is another surprise. Here 8 folk use the big space to advantage. Michelle Hannah, her of the crystal face, performs her memorable futurist utopia in the Playfair Library via a 4 screen video. A knock out. Alec Finlay's bees help him philosophise. "Art, poems, they are ways to love things, while also admitting their complexity. The velocity of greed is the issue today." 
Politics, (the Referendum,) is the issue for Ellie Harrison with her frivolous cannons of confetti. So too Shona Macnaughton & her 3D models of women, priced according to their looks, a new kind of slave.
Several Counterpoint artists teach at GSA or ECA. CALUM COLVIN OBE, is professor at DCA. A practitioner of painting, sculpture & photography, he makes intensely coloured, elaborate narrative tableaux saturated in imagery. "A slow process" he admits. I first met Colvin when he was at the Royal College back in 1985. "The epiphany of my life was taking up photography. There was no digital, no photoshop then. It was all mirrors and worlds within mirrors!"
Under the title 'The Magic Box' he shows works from 1989 to today, including a series of original transparencies titled Ornithology never seen before plus new 3D. In addition Colvin has set up his studio + 5x4 camera, at Ed Printmakers in order to work in public creating a portrait of the writer Janice Galloway over the Festival. Exciting.edinburgh printmakers.
Last not least superb exhs of JOHN BYRNE and JOHN RUSKIN at SN Portrait Gallery.
Both Ruskin & Byrne can draw, and how. Byrne's portraits range from witty takes on Billy Connelly to exquisitely tender  drawings of his children as babies and young adults. Ruskin loved Venice & its architecture; mountains and their grandeur + gneiss rocks from Scotland. Compare his drawing of these with Dalziel + Scullion's boulders! 
 J Byrne.
COMMONWEALTH GAMES update. £5 million raised for Unicef from the Games opening ceremony! It has been a brilliant occasion from start to finish. Well done GLASGOW! A world class performance, and the feel-good factor exactly like that of the 2012 London Olympics but with Scottish pazazz and humour.
More later
Cyclist race along Byres Rd yesterday - all cheers and shouts.

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